The Gerard Collection of Chinese Export Silver for Auction

An early 20th century Chinese export silver inkstand, Canton circa 1920 marked Qiao Sheng Yuan, retailed by Luen Wo of Shanghai

The Gerard collection of Chinese export silver comes for sale at Chiswick Auctions this autumn. The collection, inspired by the birthday gift of a tea caddy 20 years ago, represents an excellent cross-section of the forms, patterns, retailers, and makers of silver in the late Qing and early Republic period. It will be dispersed in over 125 lots with estimates ranging from £100 to £5000 on October 9th.

Chinese silversmithing in the western manner has a long history, concurrent with much fine European silversmithing. The distinctive ‘China Trade’ era wares began in the late 18th century as near copies of pieces made in London but by the mid 19th century had developed to become a medium truly of its own. Most pieces combine typical European forms with Chinese decoration.

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A late 19th / early 20th century Chinese export silver bowl on stand, Canton circa 1900 marked Sui Chang, retailed by Wang Hing

Chinese export silver has been widely collected since the late 20th century. However, the market has been fuelled by a new buying audience from the Far East and by recent scholarship.

Markings

It is only in recent decades that the markings on these pieces have been properly studied. Previously the focus had been on the Arabic numerals, often 90 or 85, that allude to the purity of the silver and the prominent retailer’s marks in Latin characters. Large Canton, Shanghai and Hong Kong distributors operated, such as Wang Hing, the name that appears on numerous items made from c.1860-1930, were once erroneously credited as manufacturers.

However, it is now understood that it is the artisan’s marks stamped in Chinese characters that denote the actual silversmithing workshop responsible for producing the piece. As scholars slowly but surely build up a picture of these workshops and their output, understanding these marks has become the focus of collecting of ‘China Trade’ silver.

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A late 19th / early 20th century Chinese export silver epergne centrepiece, Shanghai circa 1900 marked Kun He, retailed by Wo Shing

There are many good examples in the Gerard collection that are catalogued by Chiswick Auctions specialist John Rogers according to the latest research on the topic.

  • A baluster form ewer with the mark WH for Wang Hing also carries the Chinese characters for Ye Bo. A prominent workshop in Canton that appears to have almost exclusively supplied Wang Hing and the Shanghai retailer Luen Wo, it is noted for finely worked figural or scenic tableau.
  • A similar footed ewer by this workshop formed part of the influential exhibition Chinese Export Silver: The Chan Collection shown at the Asian Civilisations Museum in Singapore in 2005.

Chiswick Auctions has sold significant pieces of Chinese export silver in its past sales that are referenced in the cataloguing. A Cantonese campana form standing cup (estimate £2,000-3,000) has the mark Quan Ji (the workshop of Quan), the maker of a mug dated 1891 for the Shanghai Rowing Club sold in March 2024 for £2750. This cup, decorated with a figural battle scene, was also used as a trophy by one of the many sporting clubs set up by British expats in the Far East with the presentation inscription reading Moor 17 October 1886.

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Ye-Bo mark

A Republic period bowl with cast and applied decoration of peacocks amid peonies and flowering prunus is marked for Tai Chang Long. Another of the Cantonese makers, the workshop appears to have made a speciality of this idiosyncratic wavy edged form that copies the English spittoon or the Portuguese cuspidor. It is unlikely they were intended as vessels for excess saliva, simply an example of how a European form took on new life in the hands of a Chinese silversmith. It has an estimate of £1,500 – £2,500.

Embossed

Other uncommon forms in the Gerard collection include a Qing epergne or centrepiece with dragon’s head feet marked for the Shanghai maker Kun He and retailer Wo Shing (estimate £2,000-3,000) and a Republic period inkstand marked Qiao Sheng Yuan and LW for the Shanghai retailer Luen Wo (estimate £800 – £1,200).

Kun He operated in Shanghai between 1880-1925 producing well-made holloware often using cast and applied decoration. A similar epergne by the maker formed part of the Chinese Export Silver exhibition held by London dealer John Sparks in 1990.

The mark Qiao Sheng Yuan is noted especially on inkstands. This example, embossed and pierced with dragons, figural scenes and flowering prunus, bears comparison to another by the maker offered by the auction house in 2023.

Link to collection here:

https://www.chiswickauctions.co.uk

See also: Felicity Aylieff Porcelains at Kew Gardens

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